Norton Anthology of Western Music. V I: Ancien to Baroque

Sexta edición - Sixth Edition
Scores 1-100
This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli?s In ecclesiis, Lully?s Te Deum, Haydn?s Creation, and Prokofiev?s Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.

CONTENIDO:

Volume 1: Ancient to Baroque

1. Epitaph of Seikilos, epigram
Atrium Musicae de Madrid; Gregorio Paniagua, director
2. Euripides: Orestes, tragedy, excerpt: Stasimon chorus
a. chromatic performance
Atrium Musicae de Madrid, Gregorio Paniagua, director
b. enharmonic performance
Gayle Stuwe Neuman and De Organographia
3. Mass for Christmas Day, Gregorian chant Mass
Concentus; Paul Elliott, director
4. Chants from Vespers for Christmas Day, Gregorian chant Office
Concentus; Paul Elliott, director
5. Attributed to Wipo of Burgundy: Victimae paschali laudes, sequence
Schola Cantorum of Amsterdam; Wim van Gerven, director
6. Tropes on Puer natus: Quem queritis in presepe
Schola Hungarica; Laszlo Dobszay and Janka Szendrei, directors
7. Hildegard of Bingen: Closing chorus, In principio omnes, from
Ordo virtutum (The Virtues), sacred music drama
Sequentia; Barbara Thornton and Margriet Tindemans, directors
8. Bernart de Ventadorn: Can vei la lauzeta mover, troubadour song
Paul Hillier
9. Comtessa de Dia: A chantar, canso (troubadour song)
Mara Kiek; Sinfonye; Stevie Wishart, director
10. Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m?aime
A ltramar medieval music ensemble; Jann Cosart, vielle; Angela Mariani, voice;
Christopher Smith, gittern; David Stattleman, voice
11. Walther von der Vogelweide: Palästinalied (Nü alrëst lebe ich mir werde),
Minnelied
John Pepper, bass; Toronto Consort; David Fallis, artistic director
12. Cantiga 159, Non sofre Santa Maria, from Cantigas de Santa Maria
The Martin Best Ensemble
13. La Quarte Estampie Royal from Le manuscrit du roi
Stevie Wishart, medieval fiddle; Jim Denley, bendir (percussion); Sinfonye;
Stevie Wishart, director
14. Organa from Musica enchiriadis
a. Tu patris sempiternus, in parallel organum at the fifth below
b. Sit gloria domini, in parallel organum at the fifth below, with octave doublings
c. Rex caeli, in mixed parallel and oblique organum
Concentus; Paul Elliott, director
15. Alleluia Justus ut palma, free organum, from Ad organum faciendum
Paul Elliott, tenor; Matthew Leese, baritone; Concentus; Paul Elliott, director
16. Jubilemus, exultemus, Aquitanian organum
Dominique Vellard and Emmanuel Bonnardot
17. Leoninus and colleagues: Viderunt omnes, organum duplum
Concentus; Paul Elliott, tenor and director
18. Clausulae on Dominus from Viderunt omnes Dominus,
clausulae Nos. 26 and 29
Paul Elliott and Wolodymyr Smishkewych, tenors
19. Perotinus: Viderunt omnes, organum quadruplum
Theatre of Voices; Paul Hillier, director
20. Ave virgo virginum, conductus
Lionheart
21. Motets on tenor Dominus
a. Factum est salutare/Dominus
b. Fole acostumance/Dominus
Paul Elliott and Wolodymyr Smishkewych, tenors
c. Super te/Sed fulsit/Dominus
Concentus; Paul Elliott, director
d. Super te/Sed fulsit/Primus tenor/Dominus
Margaret Philpot, alto; Rogers Covey-Crump, Rufus Müller,
and Leigh Nixon, tenors; Gothic Voices; Christopher Page, director
22. Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes, motet
Tonus Peregrinus; Alexander L?Estrange, counter-tenor; Richard Eteson, tenor;
Francis Brett, bass
23. Sumer is icumen in, rota
The Hilliard Ensemble; Paul Hillier, director
24. Philippe de Vitry: In arboris/Tuba sacre fidei/Virgo sum, motet
Orlando Consort
25. Guillaume de Machaut: Kyrie, Messe de Nostre Dame
Hilliard Ensemble; Paul Hillier, director
26. Guillaume de Machaut: Foy porter, monophonic virelai
Gothic Voices; Christopher Page, director
27. Guillaume de Machaut: Rose, liz, printemps, verdure, rondeau
Gothic Voices; Christopher Page, director
28. Philippus de Caserta: En remirant vo douce pourtraiture, ballade
Little Consort
29. Jacopo da Bologna: Non al suo amante, madrigal
Ensemble Project Ars Nova
30. Gherardello da Firenze: Tosto che l?alba, caccia
Nigel Rogers and Edgar Fleet, tenors; David Munrow, tenor shawm;
Musica Reservata; John Beckett, director
31. Francesco Landini: Non avrà ma? pietà, ballata
Anonymous 4
32. Alleluia, A Nëwe Work, carol
Anonymous 4
33. John Dunstable: Quam pulchra es, motet
Lionheart
34. Binchois: De plus en plus, rondeau
The Tallis Scholars; Peter Phillips, director
35. Guillaume Du Fay: Resvellies vous, ballade
A ltramar medieval music ensemble: Jann Cosart, vielle; Angela Mariani, voice;
David Stattelman, voice
36. Guillaume Du Fay: Christe redemptor omnium, Ex patre, patris unice,
hymn in fauxbourdon style
Concentus; Paul Elliott, director
37. Guillaume Du Fay
a. Se la face ay pale, ballade
A ltramar medieval music ensemble: Jann Cosart, vielle;
Angela Mariani, voice; David Stattelman, voice
b. gloria from Missa Se la face ay pale
Chiaroscuro Ensemble; Nigel Rogers, director
3.8 Antoine Busnoys: Je ne puis vivre, virelai
Pomerium Musices; Alexander Blachly, director
39. Jean de Ockeghem: Kyrie from Missa prolationum
The Clerks Group
40. Henricus Isaac: Innsbruck, ich muss dich lassen, Lied
C ollegium Vocale Köln; Wolfgang Fromm, director
41. Josquin des Prez: Ave Maria . . . virgo serena, motet
La Chapelle Royale; Philippe Herreweghe, director
42. Josquin des Prez: Kyrie and Credo (excerpt), Missa Pange lingua
The Tallis Scholars; Peter Phillips, director
43. Josquin des Prez: Mille regretz, chanson
Scholars of London
44. Martin Luther: Nun komm der Heiden Heiland and
Ein feste Burg, chorales
a. attributed to st. ambrose: Veni redemptor gentium
b. martin luther: Nun komm der Heiden Heiland
c. martin luther: Ein feste Burg
Concentus; Paul Elliott, director
d. johann walter: Ein feste Burg, first four-voice setting
from Geistliches Gesangbüchlein
Wiener Motettenchor; Ensemble Mvsica Antiqva Wien;
Bernhard Klebel, conductor
45. Loys Bourgeois: Psalm 134, Or sus serviteurs du Seigneur, metrical psalm
a. psalm 134, Or sus serviteurs du Seigneur
b. william kethe: psalm 100, All people that on earth do dwell
Concentus; Paul Elliott, director
46. William Byrd: Sing joyfully unto God, full anthem
The Tallis Scholars; Peter Phillips, director
47. Giovanni Pierluigi da Palestrina: Credo and Agnus Dei I,
Pope Marcellus Mass
The Tallis Scholars; Peter Phillips, director
48. Tomás Luis de Victoria: O, magnum mysterium
a. O, magnum mysterium, motet
Gabrieli Consort; Paul McCreesh, director
b. Missa O magnum mysterium: kyrie
Choir of Westminster Cathedral; David Hill, Master of the Music
49. Orlande de Lassus: Cum essem parvulus, motet
Musica Sacra; Mary Beekman, director
50. Juan del Encina: Oy comamos y bebamos, villancico
Circa 1500; Nancy Hadden, director
51. Marco Cara: Io non compro più speranza, frottola
Paul Elliot, tenor; Nigel North, lute
52. Jacques Arcadelt: Il bianco e dolce cigno, madrigal
P omerium Musices; Alexander Blachly, director
53. Cipriano de Rore: De la belle contrade d?oriente, madrigal
The Consort of Musicke; Anthony Rooley, director
54. Luca Marenzio: Solo e pensoso, madrigal
Pomerium Musices; Alexander Blachly, director
55. Carlo Gesualdo: "Io parto" e non più dissi, madrigal
Les Arts Florissants; William Christie, director
56. Claudin de Sermisy: Tant que vivray, chanson
Ensemble Clément Janequin; Dominique Visse, director
57. Orlande de Lassus, La nuict froide et sombre, chanson
Ensemble Clément Janequin
58. Claude le Jeune: Revecy venir du printans, chanson
The Waverly Consort; Michael Jaffee, director
59. Thomas Morley: My bonny lass she smileth, ballett
Tonus Peregrinus; Rebecca Hickey, soprano; Kathryn Oswald, alto; Alexander Hickey and
Richard Eteson, tenors; Francis Brett, bass; Antony Pitts, director
60. Thomas Weelkes: As Vesta was, madrigal
The Consort of Musicke; Anthony Rooley, director
61. John Dowland: Flow, my tears, air or lute song
Ellen Hargis, voice; Paul O?Dette, Renaissance lute
62. Tylman Susato (publisher and arranger): From Danserye, Book III
a. basse danse "la morisque"
b. pavane and galliarde "la dona"
Camerata Hungarica; Laszló Czidra, director
63. Luis de Narváez: From Los seys libros del Delphín, works for vihuela
a. Cancion Mille regres, intabulation of josquin?s Mille regretz
b. Diferencias sobre "Guárdame las vacas," variation set
Lex Eisenhardt, vihuela
64. William Byrd: Pavana Lachrymae, pavane variations
Elaine Comparone, virginal
65. Giovanni Gabrieli: Canzon septimi toni a 8, ensemble canzona,
from Sacrae symphoniae
His Majestys Sagbutts and Cornetts; Timothy Roberts, director
66. Claudio Monteverdi: Cruda Amarilli, madrigal
The Consort of Musicke; Anthony Rooley, director
67. Caccini: Vedrò ?l mio sol, continuo madrigal
Ellen Hargis, voice; Paul O?Dette, lute
68. Jacopo Peri: Le musiche sopra l?Euridice, opera, excerpts
a. aria: Nel pur ardor
b. dialogue in recitative: Per quel vago boschetto
La Compagna dei Febi Armonici; Anibal Cetrangolo, conductor
69. Claudio Monteverdi: L?Orfeo, opera, excerpt from Act II
a. canzonetta: Vi ricorda o boschi ombrosi
b. song: Mira, deh mira Orfeo
c. dialogue in recitative: Ahi, caso acerbo
d. recitative: Tu se? morta
e. choral madrigal: Ahi, caso acerbo
Ian Bostridge (Orfeo); Alice Coote (Messenger); European Voices; Les
Sacqueboutiers; Le Concert d?Astrée; Emmanuelle Haïm, director
70. Claudio Monteverdi: L?incoronazione di Poppea, opera, Act I, scene 3
Danielle Borst (Poppea); Guillemette Laurens (Nerone); Concerto Vocale;
René Jacobs, conductor
71. Antonio Cesti: Orontea, Act II, excerpts
a. scene 16, recitative: E che si fa
b. scene 17 (excerpt), aria: Intorno all? idol mio
Helga Müller Molinari (Orontea); Gastone Sarti (Gelone); Concerto Vocale; René
Jacobs, director
72. Barbara Strozzi: Lagrime mie, cantata
Julianne Baird, soprano; Colin Tinley, harpsichord
73. Gabriel Bataille: Ma bergere non légere, air de cour
Nigel Rogers, tenor; Anthony Bailes, lute
74. Giovanni Gabrieli: In ecclesiis, motet (sacred concerto)
Gabrieli Consort; Paul McCreesh, director
75. Alessandro Grandi: O quam tu pulchra es, motet
Henry Ledroit, countertenor; Ricercar Consort; Henry Ledroit, director
76. Giacomo Carissimi: Historia de Jephte, oratorio, conclusion
Gabrieli Consort and Players; Paul McCreesh, director
77. Heinrich Schütz: O lieber Herre Gott, sacred concerto,
from Kleine geistliche Konzerte I
Soloists of the Tölzer Knabenchor: Helmut Wittek, Stefan Gienger, sopranos; Michael Hell,
violoncello; Roman Summereder, organ; Gerhard Schmidt-Gaden, director
78. Heinrich Schütz: Saul, was verfolgst du mich
Musica Fiata; Kammerchor Stuttgart; Frieder Bernius, conductor
79. Girolamo Frescobaldi: Toccata No. 3
Gustav Leonhardt, harpsichord
80. Girolamo Frescobaldi: Ricercare after the Credo, from
Mass for the Madonna, in Fiori musicali
Rinaldo Alessandrini, organ
81. Biagio Marini: Sonata IV per il violino per sonar con due corde, from Op. 8
Ingrid Matthews, violin, and Byron Schenkman, harpsichord
82. Jean-Baptiste Lully: Armide, tragédie lyrique, excerpts
a. ouverture
b. act ii, scene 5: Enfin il est en ma puissance
Chapelle Royale; Philippe Herreweghe, conductor
83. Jean-Baptiste Lully: Te Deum, grand motet, conclusion,
"In te Domine speravi"
Concert spirituel; Hervé Niquet, conductor
84. Denis Gaultier, La Coquette virtuose, courante, from La rhétorique des dieux
Hopkinson Smith, lute
85. Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor
from Pièces de clavecin, Book I
Geneviève Soly, harpsichord
86. Henry Purcell: Dido and Aeneas, opera, conclusion
a. recitative: Thy hand, Belinda
b. lament (ground bass aria): When I am laid in earth
c. chorus: With drooping wings
Lorraine Hunt (Dido); The Choir of Clare College, Cambridge; Philharmonia Baroque
Orchestra; Nicholas McGegan, director
87. Tomás de Torrejón y Velasco, La púrpura de la rosa, opera, excerpt:
Y bien, ¿qué es lo que adviertes
Judith Malafronte (Venus), Ellen Hargis (Adonis); The Harp Consort;
Andrew Lawrence-King, director
88. Juan de Araujo: Los coflades de la estleya, villancico
Ex Cathedra; Jeffrey Skidmore, conductor
89. Alessandro Scarlatti: Clori vezzosa, e bella, cantata, conclusion
a. recitative: Vivo, vivo penando
b. aria: Sì, sì ben mio
Brian Asawa, countertenor; Arcadian Academy; Nicholas McGegan,
music director
90. Alessandro Scarlatti: Griselda, opera, excerpt: Aria: In volver ciò che tu brami
Dorothea Röschmann, Griselda; Alte Musik Berlin; René Jacobs, director
91. Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
J aap Schröder, Marilyn McDonald, violins; Kenneth Slowik, cello; Konrad Junghnel,
theorbo; James Weaver, organ
92. Dieterich Buxtehude: Praeludium in E Major, BuxWV 141
Harald Vogel, organ
93. Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor,
Op. 3, No. 6, from L?estro armonico
Simon Standage, violin; English Concert; Trevor Pinnock, harpsichord and conductor
94. Francois Couperin: Vingt-cinquième ordre
a. La Visionaire
b. La Muse victorieuse
Richard Rephann, harpsichord
95. Jean-Philippe Rameau: Hippolyte et Aricie, opera, excerpt:
Act IV, conclusion
Les Musiciens du Louvre; Marc Minkowski, conductor
96. Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543
Michael Murray, organ
97. Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637
Wolfgang Röbsam, organ
98. Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62, cantata
Barbara Schlick, Sibylla Rubens, sopranos; Kai Wessel, Sarah Connolly, altos; James Taylor,
Christoph Prégardien, Mark Padmore, tenors; Peter Kooy, bass; Collegium Vocale; Philippe
Herreweghe, director
99. George Frideric Handel: Giulio Cesare, opera, excerpt: Act II, scene 2
a. Eseguisti
b. V?adoro, pupille
James Bowman (Giulio Cesare); Lynne Dawson (Cleopatra); La Grande Ecurie et la
Chambre du Roy; Jean-Claude Malgoire, director
100. George Frideric Handel: Saul, oratorio, excerpt: Act II, scene 10
a. accompanied recitative: The Time at length has come
b. recitative: Where is the son of Jesse
c. chorus: O fatal Consequence of Rage
Marcel Beekman, tenor; Stephan MacLeod, bass; Junge Kantorei, Frankfurt Baroque
Orchestra; Joachim Carlos Martini, conductor