Anthology of Baroque Music: Music in Western Europe, 1580?1750

The Anthology of Baroque Music contains 130 carefully selected scores for the compositions highlighted in the text. All of the scores are in new editions, edited by the author, and English translations are provided for all foreign-language texts. The music provided in the Anthology and on the Web site ranges from lute, harpsichord, and organ music to concertos, cantatas, oratorios, and operas.

Web Supplement: wwnorton.com/college/music/hill.
In addition to the works in the Anthology of Baroque Music, Professor Hill has selected and edited forty-six scores that are available as PDF files on this accompanying Web site. Also available on this site are links to a discography of commercial recordings of the works in the Anthology of Baroque Music and Web Supplement, and to non-commercial recordings on Professor Hill?s Web site.

CONTENIDO:

1. Jacopo Peri, L?Euridice (1600), Prologue and messenger scene
2. Emilio de? Cavalieri, Rappresentatione di anima, et di corpo (1600), excerpt
3. Giulio Caccini, Deh, dove son fuggiti (1602)
4. Giulio Caccini, Udite, udite amanti (1602)
5. Giulio Caccini, Torna, deh torna (1602)
6. Giuseppino Cenci, Io che l?etý solea (ca. 1600)
7. Sigismondo d?India, Riede la primavera (1609)
8. Orazio Michi dell?Arpa, Su l?oriente (ca. 1630)
9. Luigi Rossi, Hor che l?oscuro manto (ca. 1640)
10. Claudio Monteverdi, Orfeo (1607), Prologue and Act II messenger scene
11. Francesca Caccini, La liberazione di Ruggiero dall?isola d?Alcina (1625), excerpt
12. Stefano Landi, Il S. Alesso (1632), Act I, scenes 2-4
13. Claudio Monteverdi, Hor ch?el ciel e la terra (1638)
14. Giovanni Girolamo Kapsberger, Toccata no. 5 (1604)
15. Girolamo Frescobaldi, Toccata nona (1620)
16. Alessandro Piccinini, Ciaconne in partite variate (1623)
17. Girolamo Frescobaldi, Partite sopra passacagli (1627)
18. Giovanni Salvatore, Kyrie versets (1641)
19. Adriano Banchieri, Fantasia (1603)
20. Girolamo Frescobaldi, Canzon quarti toni dopo il post comune (1635)
21. Giovanni Paolo Cima, Sonata, violino e violone (1610)
22. Giovanni Battista Fontana, Sonata 6 (before 1630)
23. Biagio Marini, Sonata sopra la monica (1629)
24. Giovanni Battista Buonamente, Sonata quarta (1626)
25. Marco Uccellini, Sonata prima a violino solo detta la vittoria trionfante, Op. 4, no. 1 (1645)
26. Marco da Gagliano, Vinea mea electa (ca. 1610)
27. Lodovico Viadana, Duo seraphim clamabant (1602)
28. Caterina Assandra, O salutaris hostia (1609)
29. Claudio Monteverdi, Nigra sum (1610)
30. Giacomo Carissimi, Historia di Jephte (before 1650)
31. Giovanni Gabrieli, In ecclesiis (ca. 1605)
32. Lambert de Beaulieu, Balet comique de la Royne (1581), dialogue from Intermedio I
33. Pierre Francisque Caroubel, Passameze & Gaillarde (before 1611)
34. Michel Mazuel, Dances from the Ballet du roy des festes de Baccus (1651)
35. Anon., Ma belle si ton ame (1603)
36. Pierre Guédron, Quel excês de douleur (1620)
37. Antoine Francisque, Prelude and Courante from Le Tresor d?Orphee (1600)
38. René Mesangeau, Allemande for Lute (ca. 1630)
39. Ennemond Gaultier, Tombeau de Mezangeau (ca. 1638)
40. Denis Gaultier, Mode Ionien [suite for lute] (1648)
41. René Mesangeau, Sarabande for Keyboard (ca. 1630)
42. Jacques Champion de Chambonnieres, Dances (ca. 1648)
43. Eustache Du Caurroy, Unziesme Fantasie (1610)
44. Etienne Mouliniè, Fantasie I (1639)
45. Gehan Titelouze, Magnificat Primi Toni (1626)
46. Charles Racquet, Fantasie (ca. 1636)
47. Eustache Du Caurroy, Victimae paschali laudes (1609)
48. Guillaume Bouzignac, Ecce homo (ca. 1640)
49. Gregor Aichinger, Tres sunt qui testimonium dant (1607)
50a. Chorale Erschienen ist der herrliche Tag (1560)
50b. Johann Hermann Schein, Erschienen ist der herrliche Tag (1626)
51. Heinrich Schžtz, O quam tu pulchra es (1629)
52. Heinrich Schžtz, Was hast du verwirket (1639)
53. Heinrich Schžtz, Saul, Saul, was verfolgst du mich? (1650)
54. Jan Pieterszoon Sweelinck, Ricercar del nono duono (ca. 1610)
55a. Chorale Ich ruf zu dir, Herr Jesu Christ
55b. Samuel Scheidt, Fantasia super Ich ruf zu dir, Herr Jesu Christ (1624)
56. Johann Froberger, Canzon (1649)
57. Johann Froberger, Allemand, Courant, & Saraband (1649)
58. Paul Peuerl, Suite (1611)
59. Heinrich Albert, O der rauhen Grausamkeit! (1640)
60. John Jenkins, Fantasia no. 7 (ca. 1640)
61. John Coprario, Fantasia-suite no. 1 (ca. 1622)
62. John Dowland, The Frog Galliard (ca. 1610)
63. John Lawrence, Coranto (ca. 1625)
64. Orlando Gibbons, See, See, the Word Is Incarnate (ca. 1620)
65. John Dowland, Far from Triumphing Court (1610)
66. Franceso Cavalli, Giasone (1649), excerpts
- a. Act I, last scene
- b. Act II, scene 11
- c. Act III, scene 2
- d. Quanti soldati, Ú quanti, from Act III, scene 10
- e. Act III, scene 21 (conclusion)

67. Antonio Cesti, Orontea (1656), Act II, scenes 17-18
68. Alessandro Stradella, Dimmi Amor, in Moro per Amore (ca. 1680), Act II, scene 3
69. Barbara Strozzi, L?Eraclito amoroso (1651)
70. Antonio Cesti, Languia giý l?alba (ca. 1660)
71. Marco Marazzoli, San Tomaso, end of Part 1 (ca. 1650)
72. Alessandro Stradella, San Giovanni Battista (1675), Part 2, excerpt
73. Giacomo Carissimi, Suscitavit Dominus (1665/66)
74. Isabella Leonarda, Ave suavis dilectio (1676)
75. Jean-Baptiste Lully, Carousel suite (1686)
76. Louis Couperin, Tombeau de Mr. de Blancrocher (ca. 1652)
77. Louis Couperin, Unmeasured prelude (ca. 1657)
78. Jean de Sainte-Colombe, Concert ALe tendre (ca. 1670)
79. Henry Du Mont, Tristitia vestra (1652)
80. Jean-Baptiste Lully, Alceste, Act I (1673)
81. Carlos PatiÒo, Maria, Mater Dei (ca. 1640)
82. Juan Gutiérrez de Padilla, (Ah, siolo Flasiquillo! (1653)
83. Juan Blas de Castro, Est·vase el aldeana (ca. 1625)
84. Francisco Correa de Arauxo, Quinto tiento de medio registro de baxones de primer tono (1626)
85. Juan Bautista José Cabanilles, Tiento XXIV de falses 8. punt alt (ca. 1690)
86. Manuel Rodrigues Coelho, Outra Ave Maris stella (1620)
87. Gaspar Sanz, Jacaras (1675)
88. Wolfgang Carl Briegel, Was frag ich nach der Welt! (1670)
89a. Joseph, lieber Joseph mein, the traditional song reconstructed
89b. Philipp Friedrich Biddecker, Natus est Jesus (1651)
90. Matthias Weckmann, Zion spricht: Der Herr hat mich verlassen (1663)
91. Christoph Bernhard, Euch ist?s gegeben zu wissen das Geheimnis (1665)
92a. Chorale Ein feste Burg ist unser Gott
92b. Franz Tunder, Ein? feste Burg ist unser Gott (ca. 1650)
93a. Chorale Komm, Heiliger Geist, Herre Gott
93b. Franz Tunder, Komm, Heiliger Geist, Herre Gott (ca. 1650)
94. Dieterich Buxtehude, Passacaglio, BuxWV 161 (ca. 1680)
95. Dieterich Buxtehude, Praeludium, BuxWV 137 (ca. 1680)
96a. Chorale An Wasserflžssen Babylon
96b. Johann Pachelbel, An Wasserflžssen Babylon (ca. 1680)
97. Johann Heinrich Schmelzer, Courant for the Entrance of His Imperial Majesty and All the Knights, from La contesa dell?aria e dell acqua (1667)
98. Johann Heinrich Schmelzer, Sonata Natalitia (1675)
99. Johann Rosenmžller, Sonata II, from Sonate da camera (1667)
100. Heinrich Ignaz Franz von Biber, Battalia (1673)
101. Maurizio Cazzati, Sonata 7, La Rossella (Venice: Magni, 1656)
102. Giovanni Battista Vitali, Balletto ottavo and Corrente ottava, Op. 8 (1683)
103. Giovanni Maria Bononcini, Op. 6, no. 11 (1672)
104. Arcangelo Corelli, Sonata Op. 4, no. 4 (1694)
105. Arcangelo Corelli, Concerto Op. 6, no. 1 (1712)
106. Giuseppe Torelli, Sinfonia con tromba e violini unissoni, G 9 (1693?)
107. Antonio Vivaldi, Concerto for Violin, RV 310, Op. 3, no. 3 (1711)
108. Pelham Humfrey, Hear, O Heav?ns (ca. 1670)
109. Matthew Locke, O Be Joyful in the Lord, All Ye Lands (1664)
110. Matthew Locke, The Delights of the Bottle (1675)
111. John Blow, Lovely Selina (1683)
112. Henry Purcell, In Guilty Night (ca. 1690)
113. John Banister, The Musick att the Bath (1663)
114. Henry Purcell, The Fairy Queen (1692), Act II, Masque of Sleep
115. Henry Purcell, Dido and Aeneas (1689), excerptsC15
116. Alessandro Scarlatti, Cain, ovvero Il primo omicidio (1707), Part II, excerpt
117. Alessandro Scarlatti, Il genio di Mitilde (1711)
118. Antonio Vivaldi, Gloria with introduction (ca. 1717)
119. Francesco Antonio Bonporti, Ite molles ite flores (1701)
120. George Frideric Handel, Tamerlano (1724)
- a. Forte, e lieto a morte andrei
- b. Act III, scenes 9-10

121. Jean-Philippe Rameau, Hippolyte et Aricie (1733), Act IV, second half
122. François Couperin, La Ténébreuse, from his Piêces de clavecin, premier livre (1713)
123. François Couperin, Le Petit-Rien, from his Troisiême livre de piêces de clavecin (1722)
124. Elisabeth Jacquet de La Guerre, Sonata no. 2 from Sonates pour le viollon et pour le clavecin (1707)
125. George Frideric Handel, Saul (1738), excerpts
- a. Act I, scene 1C
- b. Act III, scene 1-3
- c. Mourn Isreal

126. Johann Sebastian Bach, St. Matthew Passion (1727), nos. 1-7
127. Johann Sebastian Bach, Passacaglia in C Minor, BWV 582 (ca. 1707)
128. Johann Sebastian Bach, Allein Gott in der H?h? sei Ehr, BWV 663 (ca. 17108-17, rev, ca. 1749)
129. Johann Sebastian Bach, Prelude and Fugue in B-flat Major from Das wohltemperirte Clavier, Book I (1722)
130. Johann Sebastian Bach, Brandenburg Concerto no. 1

Scores included on the Web site (coming soon)
1. Claudio Monteverdi, Lamento d?Arianna, from L?Arianna (1608), Scene 6
2. Giovanni Gabrieli, Sonata con tre violini (1612)
3. Alessandro Grandi, Veniat dilectus meus (1619)
4. Giovanni Francesco Anerio, Vivean felice (1619)
5. Claudio Monteverdi, Gloria a 7 (1641)
6. Nicolas Formé, Ecce tu pulchra es (1638)
7. The chorales Als der gžtiger Gott and Menschenkind, merk eben
8. Michael Praetorius, Als der gžtiger Gott (1619)
9. Chorale, Nun komm der Heiden Heiland
10. Samuel Scheidt, Nun komm der Heiden Heiland (1635)
11. Orlando Gibbons, Peascod Time (ca. 1620)
12. Thomas Tomkins, Fancy (1648)
13. William Lawes, Britannia triumphans (1638)
14. Claudio Monteverdi, Iro?s lament from Il ritorno d?Ulisse (1640)
15. Francesco Provenzale, Dolce incanto degli occhi, from Lo schiavo di sua moglie (1672)
16. Francesco Cavalli, Messa concertata, Kyrie (1656)
17. J. Henry d?Anglebert, Suite in D (1689)
18. Henry Du Mont, Quemadmodum desiderat curvus (ca. 1663-73)
19. Guillaume Gabriel Nivers, 3. Livre d?orgue des huits tons de l?église (1675), Suite no.3 in Mode 2
20. Mateo Romero, Dixit Dominus (ca. 1625)
21. Juan Bautista Comes, Bien te puedes alegrar (ca. 1615)
22. [Juan Hidalgo], Fortunas de Andrómeda y Perseo (1653)
- a. Oye, aguarda. Mas, (ay triste!) Act I
- b. Recitative dialogue between Palas and Mercurio, Act I
- c. Ya escucho tu acento, Act II
- d. Qué puieres Discordia? Act II

23. Sebastián Aguilera de Heredia, Tiento lleno de 4° tono (ca. 1600)
24. José Jiménez, Batalla de 6° tono (ca. 1650)
25. Chorale Nun lasst uns be Leib begraben with the words Ihr lieben Christen, freut ech nun
26. Dieterich Buxtehude, Ihr lieben Christen, freut euch nun, BuxWV 51 (ca. 1680)
27. Heinrich Ignaz Franz Biber, Plaudite tympana (1682)
28. Pavel Vejvanovský, Sonata vespertina (1665)
29. Alessandro Stradella, Sonata di viole (ca. 1675)
30. John Blow, God Spake Sometime in Visions (1685)
31. Henry Purcell, Sound the Trumpet, Beat the Drum (1687)
32. Henry Purcell, Fantasia in F (1680)
33. Henry Purcell, Sonata XII, from Sonnata?s of III Parts (1683)
34. John Blow, Ground in E-La-Mi (ca. 1680)
35. William Croft, Voluntary in D (ca. 1710)
36. Pelham Humfrey, Pietro Reggio, and Matthew Locke, AMasque of Devils, from The Tempest (1674), Act II
37. Carlo Francesco Pollarolo, Gl?inganni felici (1696), Act I, scenes 6-8
38. Marc-Antoine Charpentier, Médée (1693), Act IV, scenes 3-7
39. Louis-Nicolas Clérambault, Orphée (1710)
40. Michel-Richard de Lalande, Te Deum (1684)
41. François Couperin, Leçons de ténêbres (ca. 1713-17), troisiéme leçon
42. François Couperin, Messe ý l?usage ordinaire des paroisses (1690), Offertoire sur les Grands jeux
43. Jean-Philippe Rameau, Suite in A Minor, from the Premier livre de piéces de clavecin (1706)
44. François Couperin, Les Fastes de la grande et ancienne Mxnxstrxndxsx, from his Second livre de piêces de clavecin (1716)
45. Georg Philipp Telemann, Gott der Hoffnung erfžlle euch (1717)
46. Johann Mattheson, Die heylsame Geburth und Menschwerdung unsers Herrn und Heylandes Jesu Christi (1715)